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Prints abound : Paris in the 1890s
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ISBN: 0894682776 0853317941 Year: 2000 Publisher: London Lund Humphries Publishers


Book
La collection Weisman & Michel : fin de siècle - Belle Epoque (1880-1916)
Authors: ---
ISBN: 9782754111201 Year: 2019 Publisher: Paris Musée de Montmartre

The spirit of Montmartre : cabarets, humor and the avant-garde 1875-1900.
Authors: ---
ISBN: 0813523249 Year: 1996 Publisher: State University of New Jersey Jane Voorhees Zimmerli Art Museum

The Eiffel tower: a tour de force : its centennial exhibition : exhibition organized by Phillip Dennis Cate and Herbert D. Schimmel
Authors: ---
ISBN: 0910672075 Year: 1989 Publisher: New York The Grolier Club

From Pissarro to Picasso : color etching in France : works from the Bibliothèque Nationale and the Zimmerli art museum.
Authors: --- ---
ISBN: 2080135384 2080136062 9782080135384 Year: 1992 Publisher: Paris Flammarion

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Color etching flowered in France in the years 1885 to 1910, breaking the centuries-long tradition of artistic printmaking as an exclusively black and white medium. Its development was encouraged primarily by a renewed interest in eighteenth-century printmaking techniques and by the discovery of Japanese woodblock prints whose methods of composition and juxtaposition of unmixed areas of color demonstrated the dramatic and highly decorative effects that could be achieved by the superimposition of colored inked plates on a single sheet of paper. Although color etching began as an art form restricted to a small circle of artists working in Paris who were attracted to its intimacy and technical demands, its great aesthetic potential spawned a movement of considerable consequence by the turn of the century, especially for the circle of young, avant-garde artists including Jacques Villon, Joaquin Sunyer, Francis Jourdain, and Theophile Steinlen, who gathered around the master printmaker Eugene Delatre in Montmartre during the 1890s. By depicting life in the streets, cabarets and cafes of Paris, these artists fully exploited the creative possibilities of the color etching technique, producing subtly colored prints that were charged with atmosphere. Through a selection of works drawn from the collections in the Bibliotheque Nationale in Paris and the Zimmerli Art Museum at Rutgers University. Phillip Dennis Cate and Marianne Grivel explore the origin and expansion of color etching in France, tracing its development within the nineteenth-century renaissance of printmaking in France and analyze its aesthetic evolution in relation to major artistic movements such as Impressionism and Symbolism. Extensive artists' biographies and a complete list of the works of art illustrated make this an essential study for collectors, students, and for all those interested in late nineteenth-century French art.


Book
The Henri de Toulouse-Lautrec, W.H.B. Sands correspondence
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ISBN: 0396081924 Year: 1983 Publisher: New York, N.Y. Dodd, Mead

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Book
Breaking the mold : sculpture in Paris from Daumier to Rodin
Authors: ---
ISBN: 3938051280 9780976903017 9780976903000 9783938051283 0976903016 0976903008 Year: 2005 Publisher: New Brunswick, NJ : Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey,

Toulouse-Lautrec and Montmartre
Authors: --- ---
ISBN: 9780691129044 0691129045 Year: 2006 Publisher: Princeton (N.J.) : Princeton university press,

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